This piece uses the camera lens as a central metaphor, symbolizing the boundary between seeing, interpreting, and being seen. The fish, which naturally belong in the open, flowing sea, are instead trapped within the confines of a lens—representing the so-called “third-person perspective.” Within this frame, the ocean is no longer organic but distorted into unnatural waves, reflecting how truth is often reshaped in the process of being observed and recorded. The two fish are positioned in opposition, symbolizing conflict and fragmentation brought on by bias and misunderstanding. The stark contrast between red and blue intensifies this emotional tension, emphasizing the duality of perception. By constructing a visual distance between the real and the unreal, the composition invites viewers to question: Is what we see truly reality, or merely fragments carefully curated through the lens?